Sigur, masturbarea poate fi un instrument pentru iubirea de sine, o modalitate pentru o femeie de a-si explora corpul si relatia cu placerea. Insa, pentru toate tropele de cantec Lizzo, care se asocieaza cu o femeie care se lasa singura, realitatea poate fi adesea mai degraba dintr-un act nascut din singuratate sau plictiseala, ceva de facut ca mijloc de distragere din ziua spalatoriei.
Tocmai de aceea, unele femei se simt atat de conectate cu vibratoarele lor, de ce oamenii le dau numele de Iepuri sau Buline sau Oua si de ce jucariile sunt puncte de complot in episoadele Sex and the City . De asemenea, poate ajuta la explicarea motivului pentru care Bagheta magica a devenit o muza pentru arta feminista populara, in acelasi mod in care graficele cu „Nasty Women”, AOC si cactus sunt abundente pe Etsy si in magazinele independente.
La fel cum a fi om in 2020 inseamna ca cineva are acces la toate tipurile de startup-uri pentru tratarea cainilor CBD, nu exista nici o lipsa de vibratoare sculpturale pe piata. Goop vinde mai mult de 20, inclusiv un colier ascuns sub aur de 24 de karate. Optiunea „Soraya” a lui Lelo, de 219 USD, pare a fi aproape luxos, cu „designul sonografic” si „stimulatorul extern ergonomic”.
Bagheta magica, intre timp, arata cum este: un aparat de uz casnic din anii ’70. Eliberat de compania japoneza de conglomerat Hitachi in 1968 si comercializat ca „masaj pentru corp”, dispozitivul a fost vandut pentru prima data in magazine mari precum Macy’s. Potrivit lui Engadget, de acolo sexologul Betty Dodson ar fi cumparat-o pe a ei, iar peste o jumatate de secol mai tarziu, numele ei a devenit practic sinonim cu dispozitivul pe care l-a incurajat pe femei sa-l foloseasca pentru placerea de sine.
Dodson, acum 90 de ani, a aparut pe The Goop Lab , noua serie Netflix a lui Gwyneth Paltrow. Purta o jacheta din denim acoperita in patch-uri cu afirmatii precum „Come Together” pentru ocazie. Episodul a cautat sa exploreze cum arata cu adevarat placerea feminina. S-a incheiat cu Carlin Ross, CEO-ul fundatiei Dodson, masturbandu-se cu o bagheta magica in fata unui echipaj de camera pentru a risipi tropele porno.
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„Exista mecanici pentru care vibratorii cu bagheta sunt produse bune in sensul ca o multime de oameni prefera o vibratie mai zgomotoasa, care se bazeaza pe motor”, a declarat pentru The Daily Beast, Polly Rodriguez, CEO si fondator al companiei de wellness sexual Unbound. . „Calitatea zvonului se coreleaza cu dimensiunea unui motor. Cu un vibrator cu bagheta, exista mai mult spatiu pentru ca motorul sa fie mare. ”
Bagheta magica se roteste cu doua viteze – 5.000 de rotatii pe minut si 6.000 de rotatii pe minut. Puterea sa poate fi atat de mare incat Dodson a recomandat unor femei sa-si difuzeze buzele folosindu-l prin haine.
Pot presupune ca poate soca sistemul nervos intr-un fel, cred. Numai in clitoris, exista 8.000 de terminatii nervoase. Asta este mult, iar puterea poate deveni prea coplesitoare, mai ales daca este directa ”
Victoria Reuveni, educatoare principala la Centrul pentru pozitivitate sexuala din Los Angeles, a adaugat ca vibratorul „este excelent pentru oamenii care nu sunt confortabili sa-si atinga direct bitii.”
„Cred ca poate soca sistemul nervos intr-un fel”, a adaugat Reuveni. „Doar in clitoris, exista 8.
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000 de terminatii nervoase. Asta este mult, iar puterea poate deveni prea coplesitoare, mai ales daca este directa. ”
Ani de zile, folosirea Baghetei Magice pentru orice altceva decat pentru ameliorarea durerilor de spate a fost dezamagita de Hitachi. In 1999, The Village Voice a raportat ca seful companiei de comunicatii corporative a afirmat: „In mod clar [bagheta] este un produs simplu. Nu exista implicatii despre nimic dincolo de utilizarea standard de ingrijire a sanatatii. ”
Anul urmator, Hitachi a permis companiei de productie din California Vibratex sa vanda dispozitivul in Statele Unite. In cele din urma, in 2013, Hitachi si-a renuntat oficial la numele baghetei magice, desi este inca folosit de multi in mod coloidal. (Atat Hitachi, cat si Vibatrex nu au raspuns la cererea The Daily Beast de comentariu.)
Orice s-ar numi, jucaria are inca fani. „Nefericita realitate este, a ramas in parte, nu pentru ca este deosebit de speciala din punct de vedere al inovatiei sau al calitatii, ci pentru ca exista o astfel de lipsa de inovatie”, a spus Rodriguez. „Este iconic, dar nu este revolutionar, este la fel de greu de inovat in categoria [sex]. Exista bariere ca sa nu poti face reclama, ceea ce face foarte greu sa cresti ca companie, greu de obtinut capital de risc si finantare. ”
Laura Szumowski, 36 de ani, locuieste in Chicago si lucra la Early to Bed, un magazin de sex feminist. „A fost intotdeauna interesant sa vad oamenii care ar veni pentru o bagheta de Hitachi, spre deosebire de un glont”, a spus ea. „Are o urmarire dedicata, un sentiment de nostalgie. Nu vreau sa spun ca clientii erau mai mari, pentru ca nu erau, dar unii dintre ei erau. O multime de vibratoare sunt mult mai mici acum, este cam ascunsa in mana. Hitachi este atat de mare incat iti ramane in minte. ”
Szumowski lucreaza acum ca ilustrator principal pentru The Found, o felicitare si o companie de cadouri. In 2017, a proiectat un ac in forma de bagheta magica blazonat cu cuvantul „Dragoste de sine”.
„Oamenii au doar un raspuns visceral [cand il vad]”, a spus Szumowski. „Cred ca le aduce oamenilor foarte multa bucurie. Are o asociere cu eliberarea si imbratisarea sexualitatii, corpului si placerii tale. ”
Un artist din Phoenix, Arizona, care a cerut The Daily Beast sa foloseasca pseudonimul ei Nadia Vanilla, creeaza arta pentru cei implicati in comunitatea kink. Vinde o acuarela de 100 de dolari in care apare o femeie intinsa in pat, tinand o bagheta magica, in timp ce un curcubeu se invarte deasupra ei.
“I like to create scenes that are not terribly smutty, but tell a story about what may or may not be happening,” Vanilla, 36, said. “That’s what gets me excited. It’s not so much the wand, because it could be a back massager if you don’t know what you’re looking at. Maybe [she’s] had a really good morning, or maybe she had a really bad day and wants to chill out. I like to let people decide that part.”
Vanilla bought her own Magic Wand online “a few years ago.” At $55, it was one of the first expensive vibrators she purchased. “It came in the mail and my husband made me wait for him to play with it,” she recalled. “It was the most frustrating, slowest afternoon, ever.”
One of Vanilla’s friends has dubbed it “the bulldozer of sex toys,” and she agrees. “I does what it’s supposed to do, which is make people, specifically people with vulvas, feel really fucking good. I can see why people would try to go for something smaller, but I also think that when you know what it’s capable of, it’s suddenly sexy as hell to look at,” Vanilla said.
Emmie Mayne runs the design company Lightning and Lace, and lives in Huntsville, Alabama. She’s never owned a Magic Wand specifically—it’s out of her price range—but has tried similar models. Her $15 ball-post earrings come in the ubiquitous shape, and are a hit at the artist conventions she attends.
“It makes people feel bold, saying proudly, ‘I understand what I want and need, and I’m not afraid to tell you what that is’”
“I sometimes get a customer who will playfully ask me, ‘Oh, this is a microphone, isn’t it?’” Mayne said. “To which I say, ‘Of course! And this ‘microphone’ is very travel size. It really is funny how many times people have asked me that. I suppose they’re thinking of what to tell their bosses the earrings are if they wear them to work.”
Mayne thinks the Magic Wand holds a place in the hearts, and top drawers, of many because “it makes people feel bold, saying proudly, ‘I understand what I want [and] need and I’m not afraid to tell you what that is.’” She hopes anyone repping Magic Wand-inspired merch carries that feeling with them into their non-sexual lives, too.
Nour Hantouli, 31, is an artist and tattoo shop apprentice from Memphis, Tennessee. Hantouli, who uses they/them pronouns, runs the Etsy shop Well They Tried. The store sells a stemless wine glass adorned with a Magic Wand, its infamous cord wrapping around text that reads, “I Give Up.” (Hantouli says they are “women-read” by others, meaning “that people like me, who do not identity as women, are still read that way and face the hurdles and the struggles that women face—just because of how people perceive people like me.”)
“The original piece said, ‘Does it spark joy?’” Hantouli explained, referencing the Marie Kondo catchphrase. “[But] that meme was fading, and ‘I Give Up’ is just relatable. Ask anyone who’s ever dated while being perceived as a woman, we’ve all been in that place at least once in our lives.”
“The thing about this vibrator, though, that’s absent from the ‘I Give Up’ image is that the pleasure from the instrument is seen in such a solitary way,” Hantouli added. “I would wager that part of that is the way men feel threatened by the device and its use.”
Hantouli finds “beauty” in the Magic Wand, describing its “simplicity, the subtle curve, and the soothing roundness at the end.” Other sex toys appear as if the designer thought, “‘Let’s take what women need—a dick—and then bedazzle it, because that’s what women like,’” they joked. “[With the Magic Wand], it turns out they actually like treating clitoral pleasure seriously. The form came after the function.”
When Hantouli holds pop-up shops in town, the glasses are “the first thing” people look at. “Women-read people give this knowing look,” they said. “People of all ages [like it], which is surprising, because I think the specific meaning of [the glass] would appeal to millennials and Gen Z. The world’s going to shit, there’s this atmosphere of meaningless, dread, and futility, and at some point it becomes overwhelming. There’s a power that comes with taking a break and caring for yourself.”











































