Dragostea printr-o lentila: cum Ingrid Bergman a luat respiratia lumii

In urma cu aproape 20 de ani, am mers sa stau cu sotul meu intr-o casa detinuta de familia lui Roberto Rossellini, marele regizor de film neorealist italian. Ne-am petrecut zilele la fel ca tine cand te regasesti intr-o ascunzatoare idilica in lumina soarelui italian: citit; culcat langa bazin; urmarind lumina printre copaci. public 24 sibiu matrimoniale thechozenfew.net Si m-am gandit la Ingrid Bergman, care trebuie sa fi vizitat aceasta vila retrasa intr-un moment in care viata ei era in cadere libera.

Acum este greu sa ne imaginam genul de scandal pe care Bergman l-a provocat cand a ramas insarcinata cu copilul lui Rossellini, in timp ce inca era casatorit cu primul ei sot, Petter Lindstrom. matrimoniale femei buzau maps.google.ge Nu era doar o sotie, era o mama si o lasase in urma pe fiica sa Pia cand plecase in Italia pentru a lucra cu Rossellini. Indignarea era scaldatoare. matrimoniale.3x fruitsoftheolivetree.com „Stirile din Bergman zbarnesc Hollywood ca o bomba” scrasneau un titlu al ziarului, combinand perfect doua dintre cele mai importante stiri din 1949.

In SUA, grupurile religioase au inceput o campanie de interzicere a filmelor sale pe motiv ca ele glorificau adulterul. publi24 matrimoniale zalau www.4thumpire.com In Italia, ea si Rossellini au fost urmate peste tot de paparazzi, tovarasii lor pentru tot restul vietii tumultuoase impreuna.

„Am fost un pericol pentru femeia americana”, a spus ea un intervievator, ani mai tarziu. matrimoniale crestine penticostale femei rosas.net „Chiar si vocea mea de la radio trebuia sa fie periculoasa. Bineinteles ca am fost ranit, dar nu credeam ca ceea ce facusem era atat de multe afaceri ale altor oameni . matrimoniale turnu severin musicalchairs.org .. registrul national notarial al regimurilor matrimoniale adresa rodondi.com Daca nu-ti place performanta, poti iesi afara, dar sa critici viata privata a oamenilor, am crezut gresit.”

Acea declaratie de intentie sfidatoare este citata in Ingrid Bergman: In Her Own Words , un nou film documentar regizat de Stig Bjorkman care spune povestea uneia dintre cele mai durabile vedete de la Hollywood. piata az matrimoniale route66steakhouse.com Se bazeaza pe jurnalele sale, scrisori si interviuri, intrerupte cu filme de acasa si imagini ale actorului in toata gloria ecranului sau, de la debutul suedez in 1935 pana la inaltimea ei de la Hollywood in anii 1940 pana la rolurile sale finale aproape 40 de ani mai tarziu. Este o perspectiva revelatoare asupra unei femei care a sfidat in mod constant asteptarile. romania matrimoniale ro list aerobotica.com

In primul ei test de ecran american, cu o culoare decolorata si o liniste, „fara machiaj”, dupa cum proclama placa de clapeta, straluceste. Este ca si cum ar fi in posesia unui secret si aceasta cunoastere o lumineaza din interior, in timp ce priveste direct camera, sau zambeste cu o caldura care ar putea decongela o iarna suedeza. matrimoniale buzau femei nmblibrary.com Este un semn al tuturor celor viitoare. Daca te gandesti la Bergman pe ecran, in Casablanca , Notorious sau Gaslight , tocmai acea stralucire imi vine in minte. agentii matrimoniale sibiu jacksharman.net

In part this was a simple matter of her beauty. Daniel Selznick, son of the powerful David O who first swept Bergman away to Hollywood, told her biographer Charlotte Chandler: “There is no one I have ever met, of any age, of any generation, that took one’s breath away at every meeting the way she did. de toate pt toti matrimoniale wmzcasino.walnutinsurance.info



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The complexion, the lips, the cheeks, the ears, the nose, the eyes, the body of a goddess. And she was just completely unselfconscious. publi24 constanta matrimoniale annaba23.com ” Gregory Peck, her co-star in Hitchock’s Spellbound, suggested that she was even more beautiful away from the studio cameras – a judgment vindicated by the home movie footage that shows her relaxed with family and friends.

But there is some other mysterious force at work. analize matrimoniale www.foreignlabor.com From the very first, she was confident in front of a camera, and it is Pia Lindstrom – the daughter she abandoned when she ran off with Rossellini – who offers a psychological explanation for her mother’s dazzling impact on screen. Bergman’s mother had died when she was two, so she was brought up by her father, a photographer, whom she adored, until he too died when she was 13. matrimoniale botosani 2018 www.abtamembers.com

“Love would come right through that lens,” suggests Lindstrom. “She was looking through that lens and she is looking at her dear dead father, and she would flirt and play with him and pose with him. matrimoniale japonia www.autoviva.es She was completely comfortable with the camera and knew how to pose.”

Bergman herself was aware of her gift. matrimoniale barbati italia unpages.com She was a poor little orphan girl, lonely and bereft, yet filming made her feel alive. There’s a photograph of her going to her first ever job as an extra that is notable not only for her staggering loveliness, but for the sheer vitality of her pose as she peers along the line of waiting hopefuls, looking outwards and forwards. publitim matrimoniale lugoj www.exeva.com “I love the freedom I feel in front of the camera,” she said.

But she was a dab hand behind a camera, too, inheriting from her father a desire to record the world and the people around her. matrimoniale ploesti mentalflossmusic.com She filmed her honeymoon with Petter, and when she left him suddenly she wrote saying she didn’t want many of the “treasures” she had left behind. “The only problem will be our 16mm film. matrimoniale sex galati cineudayam.com Maybe you will lend it to me so I can see what I looked like in my youth.”

Acea dorinta de a pastra fiecare aspect al vietii ei in fotografii si imagini i-a lasat lui Bjorkman o multitudine de materiale pe care sa le deseneze; in aceasta secventa privata o vezi indragostindu-se de Rossellini, mangaindu-si capul tandru in timp ce vorbesc; privesti cei trei copii pe care i-au avut impreuna sa creasca; le vezi frica in timp ce casatoria parintilor lor se destrama. matrimoniale botosani femei cu nr de telefon showcase-cinema.biz Mai tarziu, urmariti tristetea traversand fata lui Bergman in timp ce urca intr-o ambulanta cand fiica ei Isabella este diagnosticata cu scolioza.

Dar la fel de revelatoare sunt scrisorile si jurnalele pe care le-a pastrat si Bergman, bogate in cunoasterea de sine si confruntarea cinstita a contradictiilor din personajul ei. pubi 24 sibiu matrimoniale www.wholesaleradiators.biz Scriind unui prieten, atunci cand se bucura de prima bucata de succes din cariera ei de la Hollywood, ea isi descrie panica de a nu mai lucra de patru luni „ceea ce este prea lung de doua luni”. Este acasa cu Petter si Pia, dar marturiseste: „Doar jumatate din mine este in viata. anunturi matrimoniale vechi umaianime.com Cealalta jumatate este impachetata intr-o valiza sufocanta.



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Ce ar trebuii sa fac?”

She has an affair with Robert Capa, the war photographer, and her free spirit soars. piumino matrimoniale vividsexvideo.com She tries to be a good wife and to knit at home, but the siren call of something different propels her onwards. With Rossellini, it is his work she falls in love with first; she admires Rome, Open City and writes him a bold proposal. matrimoniale cu poze femei whiteheadhome.net “If you ever need a Swedish actor who speaks very good English and a little German, who can make herself understood in French and can only say ‘ti amo’ in Italian, then I’ll come and make a film with you.”

Years later she explains his appeal more fully. “It was a combination of passion that I fell in love with a man who was so different from any other man I had ever known, and it was my boredom in Hollywood – I wanted to do something that they didn’t expect me to do.” When her relationship with Rossellini broke down, and she began to think about returning to Hollywood, she was still determined “to do the kind of films I feel comfortable with”. Success mattered greatly to Bergman, but not at any price.

At the same time, as the film makes clear, though her children mattered to her intensely, she was prepared to leave them to pursue her career. Her priorities were not those expected. “If you took acting away from me I would stop breathing,” she said. She admitted she had missed a lot, by leaving not just one child but her second set of children to be brought up mainly by others. “I do regret it, but I don’t think they suffered,” she said.

That complexity – the authentic voice of a woman who knew her own fallibility, of someone who loved and lost but never complained – makes Bergman, who died of cancer, aged 67, in 1982, a peculiarly admirable Hollywood star. She was a pioneer before her time; protected and constrained by her loveliness, she voyaged ever onwards, brave and strong.

There is a rose named after her, which I have in my garden. It is deep red, lightly perfumed and almost too perfect in shape and form. It blooms for a very long time, lingering long after other flowers shed their petals. There could not be a better tribute to an actor who is always worth remembering.

• Ingrid Bergman: In Her Own Words is at the BFI Southbank, London SE1, from 12 August and then at selected cinemas. At the BFI, the film will be accompanied by a mini season, Ingrid Bergman on Screen. bfi.org. uk